Appraisal: Upbeat, Contemporary Circassian Folk Tune by Shapshe - Lively, Melodious, and Enjoyable
In the heart of the North Caucasus, a new ensemble named Chapsh from Nalchik, Kabarda-Balkaria, has released a debut album that is stirring up interest in the region's long-forgotten folk music. Titled Shapshe, the album is a blend of modern and traditional elements, incorporating both raw and ambient dark folk beats.
The first track on the album, 'Sozeresh' or 'Siy Ziuishen', describes the god's abode in great detail and touches on his role as god of fertility. This is followed by tracks like 'Siy Maze' ('My Moon') and the lively closing track, the instrumental 'Khurtsa Qafe' ('Khurtsa Dance'), which feature catchy background vocals and an infectious beat.
However, what sets Chapsh apart is the inclusion of the azheghafe, a traditional mute Circassian jester, in their line-up. During live shows, the azheghafe performs comically, dancing to the music, miming to it, and inviting members of the audience to dance circles around a dummy wearing an azheghafe mask. This revives a forgotten tradition from Circassian culture.
The azheghafe is not publicly named in available sources, but the group's anonymity does not detract from the album's impact. Shapshe is a significant contribution to the revival and preservation of Circassian folk music and traditions.
'Istaupsh' stands in stark contrast to other tracks on the album and is notable for its upbeat tempo and unique beats. Interestingly, 'Istaupsh' also happens to be the traditional taboo name for smallpox, a theme that is further explored in 'Shorech Uered' ('Smallpox Song').
The album Shapshe seems to be dedicated to the long-forgotten tradition of 'chapsh' and features songs that hearken to these vigils themselves. In traditional Circassian culture, 'chapsh' were gatherings held when a person fell ill or was injured, attended by friends, relatives, and neighbours. Guests would chant to Sozeresh, the god of illness and health, calling on him to cure the patient.
'Shorech Uered' is the longest track on the album, lasting over seven minutes. It has been described by the band as a ritual healing song. During these 'chapsh', the azheghafe would entertain the guests, providing a much-needed distraction from the illness at hand.
The group Chapsh presents themselves well on social media, often teasing new music and posting snippets of their performances. With six musicians and singers, including one azheghafe, Chapsh is one of several emerging artists who are capturing the long-forgotten sound and spirit of Circassian folk music.
The album Shapshe is thoughtful, energetic, and well-produced, running for a total of 26 minutes. Despite being a bit too short, it offers a fun listening experience that leaves listeners eager for more. Chapsh's debut album is a testament to the resurgence of interest in Circassian folk music among young artists from the North Caucasus.
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